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Krishna is a deity worshiped across many traditions of Hinduism in a variety of different perspectives. They portray him in various roles: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.

Krishna is easily recognized by his representations. Though his skin colour may be depicted as black or dark in some representations, particularly in murtis, in other images such as modern pictorial representations, Krishna is usually shown with blue skin. He is often shown wearing a yellow silk dhoti and peacock feather headgear. Common depictions show him as a little boy, or as a young man in a characteristic relaxed pose, playing the flute.In this form, he usually stands with one leg bent in front of the other and raises a flute to his lips, accompanied by cows, emphasising his position as the divine herdsman, Govinda, or with the gopis (milkmaids).

The scene on the battlefield of Kurukshetra, notably where he addresses Arjuna in the Bhagavad Gita, is another common subject for representation. In these depictions, he is shown as a man, often shown with typical god-like characteristics of Hindu religious art, such as multiple arms or heads, denoting power, and with attributes of Vishnu, such as the chakra or in his two-armed form as a charioteer.

Representations in temples often show Krishna as a man standing in an upright, formal pose. He may be alone, or with associated figures:his brother Balarama and sister Subhadra, or his main queens Rukmini and Satyabhama.

Often, Krishna is pictured with his gopi-consort Radha. Manipuri Vaishnavas do not worship Krishna alone, but as Radha Krishna, a combined image of Krishna and Radha. This is also a characteristic of the schools Rudra and Nimbarka sampradaya, as well as that of Swaminarayan faith. Gaudiya Vaishnavas celebrate Radharamana image, who is viewed as a form of Radha Krishna by members of the sect.

Krishna is also depicted and worshipped as a small child , crawling on his hands and knees or dancing, often with butter in his hand. Regional variations in the iconography of Krishna are seen in his different forms, such as Jaganatha of Orissa, Vithoba of Maharashtra and Shrinathji in Rajasthan.
 

Krishna's life, accepts no limitations. It is not bound by any rules of conduct, it is unlimited and vast. Krishna is free, limitlessly free. There is no ground he cannot tread; no point where his steps can fear and falter, no limits he cannot transcend. And this freedom, this vastness of Krishna, stems from his experience of self-knowledge. It is the ultimate fruit of his enlightenment.
 
Krishna has transcended the mind; he has gone beyond mind. And he has attained to that integrity which is the integrity of the soul, which is altogether capable of being in every mind, in every kind of mind.
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